Lin, 2009 Critical Analysis - 1156 Words

â€Å"Critically evaluate Lin, 2009. Is it true that an international student must learn a new way of thinking and writing when they come to study in a UK-type academic environment?† INTRODUCTION Nowadays, there is a lot of scientist and professional who want to learn English to benefit from its leading position of power in modern research and economy. Linn (2009) mentioned that he agree with what Schneider Fujishima (1995) say about academic writing in English particularly after its long history of development. The strength reputation of the British education system has brought a lot of international students to study in the UK. Writing in an effective way is one of the important skills that students need to learn. Languages are affected†¦show more content†¦A lot of academic readers may agree with him because writing in short paragraph will make reading easier. III-Non-Metaphorical Usage: almost all languages use metaphors to explain meaning. Trujillo Seaz(2003), cited in Linn(2009) claimed that it might be used in high levels in the UK media and the American business communication. On the other hand, academic writers try not to use metaphors that much in their published academic papers. According to Linn(2009) the Oriental, Semitic and Romance/Russian do not make that difference in academic writing. People may argue that probably it is better to make the published paper as easy as they could, so it will be understandable for the majority of the readers. Others could argue that maybe the paper was not published for the public to read or to understand it was published for professional academic readers. Sondek’s research (2008), cited in Linn(2009), which looked at the writing style of PhD students from a different countries. All students wrote a 400 words essay about â€Å"What do you think are the advantages and disadvantages of higher education and to what extent have you benefited from higher education?† Linn(2009),â€Å"Sondek’s(2008) hypothesis was that on the measures used to evaluate rhetorical styleShow MoreRelatedThe Impact Of Information Technology On Scm862 Words   |  4 Pagesvariance. This section will provide analysis of 25 articles that were coded in order to identify impacts that different technologies have on SCM, draw a cost benefit analysis for implementation , and explore various modules that get affected within SCM. 4.2.1 RQ1 .What impacts does information technology systems have on SCM strategies? An integral viewpoint of successfully administering the supply chain is in calculating and overseeing information about its critical parameters for operations and performanceRead MoreAn Individual Essay On Vegemite1717 Words   |  7 PagesVegemite.com.au, 2015) Actually, marketing mix mostly depends on market research. According to Cadogan, (2009), proper market research is the key factor to enter in a foreign market. The term ‘market research’ refers to the process which links the end users, customers and consumers to the marketers through different information. Research is not only a general study for the marketers, it is also a critical component that helps to make a right decision about the marketing strategy of a company. 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The Country Has Experienced1506 Words   |  7 Pagesbetween 2014 and 2022.* By 2025, the shortfall is expected to be â€Å"more than twice as large as any nurse shortage experienced since the introduction of Medicare and Medicaid in the mid-1960s,† a team of Vanderbilt University nursing researchers wrote in a 2009 paper on the issue. The primary driving force in this looming crisis is the aging of the Baby Boomer generation: Today, there are more Americans over the age of 65 than at any other time in U.S. history. Between 2010 and 2030, the population of seniorRead MoreEffective Reading and Writing Instruction Essay1231 Words   |  5 PagesDespite the importance of writing, many students are performing below grade level and lack the necessary skills needed to be successful (Zumbrunn Krause, 2012; Santangelo Olinghouse, 2009). There are many factors that shape students’ writing development but there are others that contribute to students’ writing problems. According to Graham (2008) and Zumbrunn Krause (2012), students and teachers both struggle to grasp the concept due to the complex nature of writing and writing instructionRead MoreBusiness Intelligence Plan1587 Words   |  7 Pagesaugment service delivery and efficiency (NASCIO, 2008). BI plans are usually comprised of (a) software, hardwa re, network, and associated infrastructure; (b) data analyses applications; and, (c) a portal or dashboard with which users interact (Hennen, 2009). The function of launch and analytical teams offers computer professionals with vital information to guarantee the successful execution of the plan. Hence, abiding by the recommendations included in this plan will help guarantee selection of theRead MoreCardiovascular Diseases1194 Words   |  5 PagesBrown, 2009; Nabel, 2003; ODonnell Nabel, 2011). Moreover, several studies showed that genomics play a vital role in the large majority of cardiovascular disease. 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The Romantic Works Of John Keats, Percy Shelley, And...

The romantic period, lasting from the late 18th to the early 19th century, followed the Age of Reason. During this time people had an individualized, free, liberal, and imaginative attitude towards life. Literature itself was full of introspection, emotion, passion, sublimity, beauty, and spontaneity, with subjects such as humankind, the soul, flowers, the common people and more. Of all of the Romantic values and subjects, the beauty, creativity, and morals of nature is what truly inspired human imagination, and thus literature of the eighteenth and early nineteenth century. The underlying theme of nature that is persistent through romantic poetry creates a bond between the poet and the common man through short poems that express personal emotion that all can feel, as we all are connected to nature. This can be seen through the works of John Keats, Percy Shelley, and William Blake. Percy Shelley was a joyful and optimistic Romantic poet of the time who was concerned with the beauty a nd passions of nature, creativity, and imagination. Nature is an ever present theme in his poetry as he feels closely connected to nature’s power. Ode to the West Wind is one of his most notable poems, and one that truly exemplifies the idea of expressing personal emotion and feeling by using metaphors from nature. He uses the west wind to symbolize the power of nature and the imagination that was thus inspired by nature. It was almost even an agent for change. In the poem, the wild West windShow MoreRelatedThe Renaissance And Romanticism During The 19th Century1245 Words   |  5 Pageslearning during the Renaissance, because of the invention of the printing press and the return of classical Greek and Roman literature. The Romantic period occurred during the late eighteenth century, as a response to the Enlightenment. The Romantics believed in the importance of the imagination and turned away from logical thinking. The Renaissance and the Romantic periods are similar, be cause they focus on individuality and occur as a rebellion to the previous period; but they are also different,Read MoreEssay on Romantic Poetry1126 Words   |  5 Pagesthing. Devices such as assonance, alliteration and rhythm work in a poem to convey a certain image or to facilitate understanding. Similes and metaphors can take two unlike objects, such as a potato and cinderblock, and if done the correct way use them to describe how Abraham Lincoln dealt with scoundrels. Poetry is beautiful. One of the best genres in poetry, let alone a great literary movement is Romanticism or the post-enlightenment Romantics. Romanticism was a philosophical and literary movementRead More The Romanticism Period 1174 Words   |  5 Pagesmodern views of art, literature, music, and other aspects in life. Romanticism was the â€Å"reaction against artistic styles of classical antiquity, which was neoclassicism.† Neoclassicists focused on the power of reasoning to discover the truth while Romantics focused on the hope to transform the world through the power of imagination. They had a deep love for nature (Furst 302). The aspects of romanticism are important; they are the beliefs of this period. The first aspect includes nature, which allowsRead MoreEssay about Romanticism1678 Words   |  7 PagesRomanticism, Romanticism, in a way, was a reaction against rigid Classicism, Rationalism, and Deism of the eighteenth century. Strongest in application between 1800 and 1850, the Romantic Movement differed from country to country and from romanticist to romanticist. Because it emphasized change it was an atmosphere in which events occurred and came to affect not only the way humans thought and expressed them, but also the way they lived socially and politically (Abrams, M.H. Pg. 13). â€Å"RomanticismRead MoreCharles Baudelaire And Victor Hugo976 Words   |  4 Pagesthe Romantic movement with his poems. Often compared with Wordsworth, Baudelaire s French poems surfaced an ease of poetic elaboration. His poems including the L Ame du Vin and Mort des Artistes are popular for the thematic basis of defining the pursuits of life and art. The English romantic poetry is dense and divided into two eras; William Wordsworth, Samuel Taylor Coleridge and William Blake wrote in the first half of the romantic period and Lord Byron, Percy Bysshe Shelley and John Keats wroteRead MoreThe Romantic Period Of William Wordsworth, Nathaniel Hawthorne, And Edgar Allen Poe1019 Words   |  5 PagesTitle *In the interest of your time, I strayed away from repeating the story of the works and jumped strain into analysis The Romantic Period, an era described as an expression of emotional exuberance, unrestrained imagination, spontaneity in both art and personal life, enchantment of poetry, and the embracing of the unknown. It is perhaps the rebellious condition of man to accept such liberal ideals in contrast to the conservative threshold of the Catholic Church. The response to the enlightenmentRead MoreEssay about Prometheus Unbound2388 Words   |  10 PagesPrometheus Unbound: The Quintessential Philosophy of Percy Bysshe Shelley Three years before his death, Shelley wrote what many consider his masterpiece, Prometheus Unbound. Considering Shelleys rebellious nature, the choice of the authority defying Prometheus as hero is not surprising. For Shelley, Prometheus came to symbolize the mind or soul of man in its highest potential. Two of Shelleys favorite themes lie at the heart of Prometheus Unbound: the external tyranny of rulers, customsRead MoreRomanticism1649 Words   |  7 PagesRomanticism in the Nineteenth Century The Romantic period followed the era of logical, philosophical, and social movement in the 17th to 18th century. However, as the 19th century began, Romanticism came into the light with a new perspective that intrigued the people. It stressed emphasis on emotions and imagination while also helping to realize the importance of self-expression. The American Romanticism movement illustrated inspiration, bias and predominance of individuals in the nineteenth centuryRead MoreThe Romantic Period Of John Dickens, Nathaniel Hawthorne, And Edgar Allen Poe1340 Words   |  6 PagesThe Romantic Period, an era described as an expression of emotional liveliness, unrestrained imagination, impulse in both art and personal life, enchantment of poetry, and the embracing of the unknown . It is perhaps the rebellious condition of man to accept such liberal ideals in contrast to the conservative threshold of the Catholic Church. The response to the enlightenment era of logic and reason was cried from the footprints of historical sands. Notable figures that stood out as leaders of thisRead MoreRomanticism in Mary Shelleys Frankenstein Essay2052 Words   |  9 PagesMary Shelley, with her brilliant tale of mankinds obsession with two opposing forces: creation and science, continues to draw readers with Frankensteins many meanings and effect on society. Frankenstein has had a major influence across literature and pop culture and was one of the major contributors to a completely new genre of horror. Frankenstein is most famous for being arguably considered the first fully-realized science fiction novel. In Frankenstein, some of the main concepts behind the literary

Fool Chapter 1 Free Essays

THE STAGE The stage is a more or less mythical thirteenth-century Britain, with vestiges of British culture reaching back to pre-Roman times still loitering about. Britain encompasses what is now modern Great Britain, including England, Wales, Ireland, and Scotland, of which Lear is king. Generally, if not otherwise explained, conditions may be considered damp. We will write a custom essay sample on Fool Chapter 1 or any similar topic only for you Order Now ACT I When we are born, we cry that we are come To this great stage of fools. – King Lear, Act IV, Scene 5 ONE ALWAYS A BLOODY GHOST â€Å"Tosser!† cried the raven. There’s always a bloody raven. â€Å"Foolish teachin’ him to talk, if you ask me,† said the sentry. â€Å"I’m duty-bound foolish, yeoman,† said I. I am, you know? A fool. Fool to the court of Lear of Britain. â€Å"And you are a tosser,[1]† I said. â€Å"Piss off!† said the raven. The yeoman took a swipe at the bird with his spear and the great black bird swooped off the wall and went cawing out over the Thames. A ferryman looked up from his boat, saw us on the tower, and waved. I jumped onto the wall and bowed – at your fucking service, thank you. The yeoman grumbled and spat after the raven. There have always been ravens at the White Tower. A thousand years ago, before George II, idiot king of Merica, destroyed the world, there were ravens here. The legend says that as long as there are ravens at the Tower, England will stand strong. Still, it may have been a mistake to teach one to talk. â€Å"The Earl of Gloucester approaches!† cried a sentry on the west wall. â€Å"With his son Edgar and the bastard Edmund!† The yeoman by me grinned. â€Å"Gloucester, eh? Be sure you do that bit where you play a goat and Drool plays the earl mistaking you for his wife.† â€Å"That would be unkind,† said I. â€Å"The earl is newly widowed.† â€Å"You did it the last time he was here and she was still warm in the grave.† â€Å"Well, yes. A service that – trying to shock the poor wretch out of his grief, wasn’t it?† â€Å"Good show, too. The way you was bleatin’ I thought ol’ Drool was givin’ it to you right proper up the bung.† I made a note to shove the guard off the wall when opportunity presented. â€Å"Heard he was going to have you assassinated, but he couldn’t make a case to the king.† â€Å"Gloucester’s a noble, he doesn’t need a case for murder, just a whim and a blade.† â€Å"Not bloody likely,† the yeoman said, â€Å"everyone knows the king’s got a wing o’er you.† That was true. I enjoy a certain license. â€Å"Have you seen Drool? With Gloucester here, there’ll be a command performance.† My apprentice, Drool – a beef-witted bloke the size of a draught horse. â€Å"He was in the kitchen before the watch,† said the yeoman. The kitchen buzzed – the staff preparing for a feast. â€Å"Have you seen Drool?† I asked Taster, who sat at the table staring sadly at a bread trencher[2] laid out with cold pork, the king’s dinner. He was a thin, sickly lad, chosen, no doubt, for his weakness of constitution, and a predisposition toward dropping dead at the slightest provocation. I liked to tell him my troubles, sure that they would not travel far. â€Å"Does this look poisoned to you?† â€Å"It’s pork, lad. Lovely. Eat up. Half the men in England would give a testicle to feast thus, and it only mid-day. I’m tempted myself.† I tossed my head – gave him a grin and a bit of a jingle on the ol’ hat bells to cheer him. I pantomimed stealing a bit of his pork. â€Å"After you, of course.† A knife thumped into the table by my hand. â€Å"Back, Fool,† said Bubble, the head cook. â€Å"That’s the king’s lunch and I’ll have your balls before I’ll let you at it.† â€Å"My balls are yours for the asking, milady,† said I. â€Å"Would you have them on a trencher, or shall I serve them in a bowl of cream, like peaches?† Bubble harrumphed, yanked her knife from the table and went back to gutting a trout at the butcher block, her great bottom rolling like thunderclouds under her skirt as she moved. â€Å"You’re a wicked little man, Pocket,† said Squeak, waves of freckles riding o’er her shy smile. She was second to the cook, a sturdy, ginger-haired girl with a high giggle and a generous spirit in the dark. Taster and I often passed pleasant afternoons at the table watching her wring the necks of chickens. Pocket is my name, by the way. Given to me by the abbess who found me on the nunnery doorstep when I was a tiny babe. True, I am not a large fellow. Some might even say I am diminutive, but I am quick as a cat and nature has compensated me with other gifts. But wicked? â€Å"I think Drool was headed to the princess’s chambers,† Squeak said. â€Å"Aye,† said Taster, glumly. â€Å"The lady sent for a cure for melancholy.† â€Å"And the git went?† Jest on his own? The boy wasn’t ready. What if he blundered, tripped, fell on the princess like a millstone on a butterfly? â€Å"Are you sure?† Bubble dropped a gutless trout into a bushel of slippery cofishes.[3] â€Å"Chanting, ‘Off to do ma duty,’ he was. We told him you’d be looking for him when we heard Princess Goneril and the Duke of Albany was coming.† â€Å"Albany’s coming?† â€Å"Ain’t he sworn to string your entrails from the chandelier?† asked Taster. â€Å"No,† corrected Squeak. â€Å"That was Duke of Cornwall. Albany was going to have his head on a pike, I believe. Pike, wasn’t it, Bubble?† â€Å"Aye, have his head on a pike. Funny thing, thinkin’ about it, you’d look like a bigger version of your puppet-stick there.† â€Å"Jones,† said Taster, pointing to my jester’s scepter, Jones, who is, indeed, a smaller version of my own handsome countenance, fixed atop a sturdy handle of polished hickory. Jones speaks for me when even my tongue needs to exceed safe license with knights and nobles, his head pre-piked for the wrath of the dull and humorless. My finest art is oft lost in the eye of the subject. â€Å"Yes, that would be right hilarious, Bubble – ironic imagery – like the lovely Squeak turning you on a spit over a fire, an apple up both your ends for color – although I daresay the whole castle might conflagrate in the resulting grease fire, but until then we’d laugh and laugh.† I dodged a well-flung trout then, and paid Bubble a grin for not throwing her knife instead. Fine woman, she, despite being large and quick to anger. â€Å"Well, I’ve a great drooling dolt to find if we are to prepare an entertainment for the evening.† Cordelia’s chambers lay in the North Tower; the quickest way there was atop the outer wall. As I crossed over the great main gatehouse, a young spot-faced yeoman called, â€Å"Hail, Earl of Gloucester!† Below, the greybeard Gloucester and his retinue were crossing the drawbridge. â€Å"Hail, Edmund, you bloody bastard!† I called over the wall. The yeoman tapped me on the shoulder. â€Å"Beggin’ your pardon, sirrah,[4] but I’m told that Edmund is sensitive about his bastardy.† â€Å"Aye, yeoman,† said I. â€Å"No need for prodding and jibe to divine that prick’s tender spot, he wears it on his sleeve.† I jumped on the wall and waved Jones at the bastard, who was trying to wrench a bow and quiver from a knight who rode beside him. â€Å"You whoreson scalawag!† said I. â€Å"You flesh-turd dropped stinking from the poxy arsehole of a hare-lipped harlot!† The Earl of Gloucester glowered up at me as he passed under the portcullis.[5] â€Å"Shot to the heart, that one,† said the yeoman. â€Å"Too harsh, then, you reckon?† â€Å"A bit.† â€Å"Sorry. Excellent hat, though, bastard,† I called, by way of making amends. Edgar and two knights were trying to restrain the bastard Edmund below. I jumped down from the wall. â€Å"Haven’t seen Drool, have you?† â€Å"In the great hall this morning,† said the yeoman. â€Å"Not since.† A call came around the top of the wall, passing from yeoman to yeoman until we heard, â€Å"The Duke of Cornwall and Princess Regan approach from the south.† â€Å"Fuckstockings!† Cornwall: polished greed and pure born villainy; he’d dirk[6] a nun for a farthing,[7] and short the coin, for the fun. â€Å"Don’t worry, little one, the king’ll keep your hide whole.† â€Å"Aye, yeoman, he will, and if you call me little one in company, the king’ll have you walking watch on the frozen moat all winter.† â€Å"Sorry, Sir Jester, sir,† said the yeoman. He slouched then as not to seem so irritatingly tall. â€Å"Heard that tasty Princess Regan’s a right bunny cunny, eh?† He leaned down to elbow me in the ribs, now that we were best mates and all. â€Å"You’re new, aren’t you?† â€Å"Just two months in service.† â€Å"Advice, then, young yeoman: When referring to the king’s middle daughter, state that she is fair, speculate that she is pious, but unless you’d like to spend your watch looking for the box where your head is kept, resist the urge to wax ignorant on her naughty bits.† â€Å"I don’t know what that means, sir.† â€Å"Speak not of Regan’s shaggacity, son. Cornwall has taken the eyes of men who have but looked upon the princess with but the spark of lust.† â€Å"The fiend! I didn’t know, sir. I’ll say nothing.† â€Å"And neither shall I, good yeoman. Neither shall I.† And thus are alliances made, loyalties cemented. Pocket makes a friend. The boy was right about Regan, of course. And why I hadn’t thought to call her bunny cunny myself, when I of all people should know – well, as an artist, I must admit, I was envious of the invention. Cordelia’s private solar[8] lay at the top of a narrow spiral staircase lit only with the crosses of arrow loops. I could hear giggling as I topped the stairs. â€Å"So I am of no worth if not on the arm and in the bed of some buffoon in a codpiece?† I heard Cordelia say. â€Å"You called,† said I, stepping into the room, codpiece in hand. The ladies-in-waiting giggled. Young Lady Jane, who is but thirteen, shrieked at my presence – disturbed, no doubt, by my overt manliness, or perhaps by the gentle clouting on the bottom she received from Jones. â€Å"Pocket!† Cordelia sat at the center of the circle of girls – holding court, as such – her hair down, blond curls to her waist, a simple gown of lavender linen, loosely laced. She stood and approached me. â€Å"You honor us, Fool. Did you hear rumors of small animals to hurt, or were you hoping to accidentally surprise me in my bath again?† I tipped my hat, a slight, contrite jingle there. â€Å"I was lost, milady.† â€Å"A dozen times?† â€Å"Finding my way is not my strong suit. If you want a navigator I’ll send for him, but hold me blameless should your melancholy triumph and you drown yourself in the brook, your gentle ladies weeping damply around your pale and lovely corpse. Let them say, ‘She was not lost in the map, confident as she was in her navigator, but lost in heart for want of a fool.'† The ladies gasped as if I’d cued them. I’d have blessed them if I were still on speaking terms with God. â€Å"Out, out, out, ladies,† Cordelia said. â€Å"Give me peace with my fool so that I might devise some punishment for him.† The ladies scurried out of the room. â€Å"Punishment?† I asked. â€Å"For what?† â€Å"I don’t know yet,† she said, â€Å"but by the time I’ve thought of the punishment, I’m sure there’ll be an offense.† â€Å"I blush at your confidence.† â€Å"And I at your humility,† said the princess. She grinned, a crescent too devious for a maid of her tender years. Cordelia is not ten years my junior (I’m not sure, exactly, of my own age), seventeen summers has she seen, and as the youngest of the king’s daughters, she’s always been treated as if fragile as spun glass. But, sweet thing that she is, her bark could frighten a mad badger. â€Å"Shall I disrobe for my punishment?† I offered. â€Å"Flagellation? Fellation? Whatever. I am your willing penitent, lady.† â€Å"No more of that, Pocket. I need your counsel, or at least your commiseration. My sisters are coming to the castle.† â€Å"Unfortunately, they have arrived.† â€Å"Oh, that’s right, Albany and Cornwall want to kill you. Bad luck, that. Anyway, they are coming to the castle, as are Gloucester and his sons. Goodness, they want to kill you as well.† â€Å"Rough critics,† said I. â€Å"Sorry. And a dozen other nobles as well as the Earl of Kent are here. Kent doesn’t want to kill you, does he?† â€Å"Not that I know of. But it is only lunchtime.† â€Å"Right. And do you know why they are all coming?† â€Å"To corner me like a rat in a barrel?† â€Å"Barrels do not have corners, Pocket.† â€Å"Does seem like a lot of bother for killing one small, if tremendously handsome fool.† â€Å"It’s not about you, you dolt! It’s about me.† â€Å"Well, even less effort to kill you. How many can it take to snap your scrawny neck? I worry that Drool will do it by accident someday. You haven’t seen him, have you?† â€Å"He stinks. I sent him away this morning.† She waved a hand furiously to return to her point. â€Å"Father is marrying me off!† â€Å"Nonsense. Who would have you?† The lady darkened a bit, then, blue eyes gone cold. Badgers across Blighty[9] shuddered. â€Å"Edgar of Gloucester has always wanted me and the Prince of France and Duke of Burgundy are already here to pay me troth.† â€Å"Troth about what?† â€Å"Troth!† â€Å"About what?† â€Å"Troth, troth, you fool, not truth. The princes are here to marry me.† â€Å"Those two? Edgar? No.† I was shaken. Cordelia? Married? Would one of them take her away? It was unjust! Unfair! Wrong! Why, she had never even seen me naked. â€Å"Why would they want to troth you? I mean, for the night, to be sure, who wouldn’t troth you cross-eyed? But permanently, I think not.† â€Å"I’m a bloody princess, Pocket.† â€Å"Precisely. What good are princesses? Dragon food and ransom markers – spoiled brats to be bartered for real estate.† â€Å"Oh no, dear fool, you forget that sometimes a princess becomes a queen.† â€Å"Ha, princesses. What worth are you if your father has to tack a dozen counties to your bum to get those French poofters to look at you?† â€Å"Oh, and what worth a fool? Nay, what worth a fool’s second, for you merely carry the drool cup for the Natural.[10] What’s the ransom for a jester, Pocket? A bucket of warm spittle.† I grabbed my chest. â€Å"Pierced to the core, I am,† I gasped. I staggered to a chair. â€Å"I bleed, I suffer, I die on the forked lance of your words.† She came to me. â€Å"You do not.† â€Å"No, stay back. Blood stains will never come out of linen – they are stubborned with your cruelty and guilt†¦Ã¢â‚¬  â€Å"Pocket, stop it now.† â€Å"You have kilt me, lady, most dead.† I gasped, I spasmed, I coughed. â€Å"Let it always be said that this humble fool brought joy to all whom he met.† â€Å"No one will say that.† â€Å"Shhhh, child. I grow weak. No breath.† I looked at the imaginary blood on my hands, horrified. I slid off a chair, to the floor. â€Å"But I want you to know that despite your vicious nature and your freakishly large feet, I have always – â€Å" And then I died. Bloody fucking brilliantly, I’d say, too, hint of a shudder at the end as death’s chilly hand grabbed my knob. â€Å"What? What? You have always what?† I said nothing, being dead, and not a little exhausted from all the bleeding and gasping. Truth be told, under the jest I felt like I’d taken a bolt to the heart. â€Å"You’re absolutely no help at all,† said Cordelia. The raven landed on the wall as I made my way back to the common house in search of Drool. No little vexed was I by the news of Cordelia’s looming nuptials. â€Å"Ghost!† said the raven. â€Å"I didn’t teach you that.† â€Å"Bollocks!† replied the raven. â€Å"That’s the spirit!† â€Å"Ghost!† â€Å"Piss off, bird,† said I. Then a cold wind bit at my bum and at the top of the stairs, in the turret ahead, I saw a shimmering in the shadows, like silk in sunlight – not quite in the shape of a woman. And the ghost said: â€Å"With grave offense to daughters three, Alas, the king a fool shall be.† â€Å"Rhymes?† I inquired. â€Å"You’re looming about all diaphanous in the middle of the day, puking cryptic rhymes? Low craft and tawdry art, ghosting about at noon – a parson’s fart heralds darker doom, thou babbling wisp.† â€Å"Ghost!† cried the raven, and with that the ghost was gone. There’s always a bloody ghost. How to cite Fool Chapter 1, Essay examples